Brow furrowed, back
slumped, sandaled feet turned in like a pigeon’s, Shannon Kilgore-Riley
sits on a steel utility post where an old boat dock beneath the Oregon
City bridge now collects transients and river trash. It’s
late. She’s sick. She has to work in the morning. In
her hand, a pointed piece of quartz dangles from a chain, spinning
or swinging back and forth in answer to her questions.
“Did someone take you here?” she asks in a hoarse whisper,
voiceless from her cold. “Someone took you here. Did you
grow up some place else? Did someone bring you over by here? Were
you moving to the area?” Koni, a young, heavyset woman
stooped beside the river, starts to cry in earnest as Shannon’s
pendulum reveals more about “Charlie,” a little girl they
believe drowned here more than 100 years ago. “Are you
confused about whether you’re alive or dead?” Shannon
asks, sniffling. “Don’t be scared. I don’t
mean to scare you.”
It’s
around 10:30 on a balmy Tuesday night in late May, but the day’s
record-breaking temperatures make it feel more like midsummer. Earlier
tonight, the Oregon City Chapter of the Trail’s End Paranormal
Society (TEPS) met for a “walkabout” of this old mill town
on the Willamette River. Along with Koni and Shannon, Koni’s
husband John and TEPS CEO Catherine Duncan stayed late to investigate
under the bridge. John, a heavy guy wearing a single silver hoop
in his ear and a black Jack Daniel’s ball cap, carries a tape
recorder in hopes of picking up EVP’s, or disembodied voices
unheard by those present at the time of recording. The last time
TEPS investigated under the bridge, about two months ago, John and
Koni encountered a hazard not uncommon among ghost hunters. A
ghost followed them home. Her name, they believe, is Charlie.
Unlike
Shannon and John and Deb – the TEPS member who divined the name “Charlie” while
driving past the bridge – Koni isn’t “a sensitive.” She
doesn’t hear voices. She doesn’t see apparitions. And
unless a spirit makes her presence known by throwing objects or, like
Charlie, by shaking the bed stand, Koni won’t sense anyone is
there. She takes pictures with a digital camera in an attempt
to catch full-body apparitions or “orbs” – unexplained
balls of light some ghost hunters identify as spirits in flight. She
shows me a picture of an image resembling a person, formed from light
and shadow on water. In another image saved to her camera, a
bright round ball of light for which there is no visible explanation
hovers over the rocks under the bridge.
Shannon
resumes her conversation with Charlie. “Did you hurt yourself
here? Did you fall down?” The pendulum hesitates. Shannon’s
elbow seems to jerk slightly, propelling the pendulum in a circle over
her palm. Though it varies from person to person, a circular
motion indicates a yes response for Shannon. A back and forth
swing indicates a no. After a few seconds, it stops. Shannon’s
arm is still. “So, you were moving here and you were getting
off, and you fell down and hurt yourself?” Shannon’s elbow
jerks. The pendulum spins a yes response. “Did it
happen real fast?” The pendulum continues spinning, building
momentum. Shannon abruptly stops it, closes her eyes hard and
holds the pendulum in hands cupped to her forehead as though trying
to see Charlie with a third eye. “She doesn’t even
know she’s dead,” Shannon says to the crew under the bridge. And
then, to Charlie: “I’m not leaving you.”
Someone
standing on the bridge yells down, waits a second, then moves on. Every
time a car passes overhead, headlight rays illuminate the cavernous
space beneath the bridge, where jagged rocks jut at dangerous angles
on either side of a long stairwell sloping down to the water. It’s
the kind of place you don’t want your kids to play, the kind
of place where junkies shoot up, where women get raped, and people
get murdered. The kind of place you’d find tormented spirits,
unable to “pass on to a better place.”
Instead
of a rape or murder victim, Koni and John found Charlie. After
the walkabout two months ago, strange things started happening. The
blinker on the car would unexpectedly switch on. The tape player
began to emit an eerie screaming sound. John and Koni tried to
figure out what might be causing it to malfunction, but they couldn’t. John,
a security guard at an apartment complex, got trapped in a freight
elevator one night while alone on the grounds. The elevator requires
a key to operate, but he didn’t use a key. It started moving
on its own. The doors wouldn’t open. Finally he said, “Charlie,
open the doors.” They opened.
“Charlie, can you hear me? Are you trusting what I say?” Shannon
asks, her eyes now closed. “Have you noticed a lot of changes
around here over the years? I mean, since you fell down? Did
you bump your head? No, you didn’t bump your head? Did
you hurt your back? Do you still hurt sweetie?”
With no children of their own, John and Koni began to feel protective
of Charlie. John thinks she’s trying to communicate something
they can’t understand. Koni thinks she might just want
parental attention. As a gift, John and Koni brought Charlie a teddy
bear and left it under the bridge. It’s since disappeared. Shannon
thinks Charlie is stuck between two worlds and needs help passing on.
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